I’M NOT SURE if it’s the three-inch heels on her Doc Martens, but Emily Green dwarfs me as she strides across the stage. It’s about an hour before her band, Geese, soundchecks for their sold-out show

VAN HALEN WAS the world’s biggest rock band at the beginning of 1985. Their 1984 album had sold more than five million copies in the U.S., reaching Number 2 on the Billboard 200 albums chart (their hi

ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec

In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

MATEUS ASATO IS the kind of guitarist we haven’t heard much of lately — a true original. He doesn’t do anything particularly outrageous or revolutionary — there’s no crazy gimmick (yet) that he’ll be

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But