Sarah Ditum on Pop JAMES GLOSSOP/OPERA NORTH ● ...

In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

Andrey Gugnin (piano) Hyperion CDA684712 83 mins This album of Russian ballet transcriptions sparkles like a glass bauble hanging amidst the fairy lights. Tchaikovsky and Stravinsky wrote so colourful

I’M NOT SURE if it’s the three-inch heels on her Doc Martens, but Emily Green dwarfs me as she strides across the stage. It’s about an hour before her band, Geese, soundchecks for their sold-out show

Works by Bowie, Crumb, Brahms, Mahler, Wolf, Schubert, Clarke et al Olivia Vermeulen (mezzo), Jan Philip Schulze (piano/synthesizer), Bernd Oezsevim (percussion) Challenge Classics CC720038 67 mins Th