HE MIGHT HAVE joined the Haunted a full 17 years after the group formed, yet to metal guitarists, Ola Englund’s face is far more recognizable than those of his bandmates — even though bassist Jonas Bj

In “a junkyard of surrealistic mayhem”: Adele Bertei ...

I’M NOT SURE if it’s the three-inch heels on her Doc Martens, but Emily Green dwarfs me as she strides across the stage. It’s about an hour before her band, Geese, soundchecks for their sold-out show

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

There has been a tectonic fragility to the early weeks of 2026, the uneasy sense of an old world shifting. New horror in Syria, Venezuela, Greenland, Iran; ongoing terror in Ukraine, Gaza, Sudan. In t