Eicca toppinen

Cradle Of Filth’s corpsepainted frontman on his skate punk roots, exploding basketballs, and 11th-century ghosts

Chaos, blood, death, resurrection – Kerry King and Tom Araya look back on the tumultuous journey of the thrash icons who pushed metal to new extremes

The genre-agnostic mastermind behind Zeal & Ardor gives us a tour of his quirky record collection

The song that rebuilt the band for the 21st century

CONCERT HEAVEN Beethoven String Quartet No. 15, Op. 132 – ‘Heiliger Dankgesang’ Johnny Gandelsman (violin), Colin Jacobsen (violin), Nicholas Cords (viola), Eric Jacobsen (cello) Todaiji Temple, Japan

From the noisy streets, community cafés and surprisingly verdant cemeteries of Southeast London have risen CAROLINE : a confoundingly brilliant eight-piece band with no obvious frontperson, fusing choral folk with fractured post-rock and experimental pop. As Sam Richards discovers, they haven’t made life easy for themselves. “But there has to be a vulnerability of some sort. Otherwise, what’s the point?”