“everybody should try to be like crass.”

Cradle Of Filth’s corpsepainted frontman on his skate punk roots, exploding basketballs, and 11th-century ghosts

Celine Dion, a tree made of coat hangers, Crufts… Thirty years after the startling experiments of Tilt defined SCOTT WALKER ’ s latter-day career, his collaborators reveal all about the idiosyncratic working practices that took him from teen idol to avant-garde hero. “It was almost like a rejection of his past,” one eyewitness tells Rob Hughes. “Almost like anti-music.”

Crazy Horse’s bassist BILLY TALBOT on Zuma, the rebirth of Crazy Horse, power cuts, Dylan jams and more

WHEN TY SEGALL and collaborator Matt Yoka started writing the lyrics to the former’s new and 17th solo album, Possession, the pair set off to present a series of “quintessentially American stories.” T

Tom Greenwood : “It’s a document of a particular moment in Portland”

I have been a huge James Arthur fan for years. My mum introduced me to his music as she loved him on The X Factor and has been a massive fan ever since. She took me to see him for the first time, whic