Lightning striking itself

When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World

Deep inside his London studio, BRIAN ENO is busy bringing “playful” experimental strategies to the studio graft – as his new collaborative albums with conceptual artist Beatie Wolfe attest. But, over pastries, an uncharacteristically digressive Eno finds time to discuss Scott Walker’s voice, communal living with Harmonia, mid-‘60s ‘happenings’ and his deep enthusiasm to create anew. “I’m sorry to be so shamelessly enthusiastic about my work,” he tells Tom Pinnock

Midge Ure, the Live Aid orchestrator and Ultravox synth-pop pioneer, looks back at his trial by fire with Thin Lizzy – and why he told Phil Lynott: “I’m not the guy you should be asking”

FOR A HALF-CENTURY AND COUNTING, THE THIN LIZZY SOUND HAS BEEN FORGED AND RECAST BY SCOTT GORHAM AND THE GREATS WHO PARTNERED HIM ON DUELLING LES PAULS, INCLUDING THE LATE JOHN SYKES. GORHAM LOOKS BACK ON THE HIGHS, LOWS, JOY AND PAIN OF HIS CLASSIC PARTNERSHIPS

Living opposite Hitler In 1929, Edgar Feuchtwanger was ...

From Ken Kesey’s Acid Tests to extended residencies at Las Vegas’s hi-tech phenomenon the Sphere – and, soon, the storied stage of the Royal Albert Hall – it’s been a long, strange trip for BOBBY WEIR . But the guardian of the GRATEFUL DEAD ’ s legacy still has further to go. “Am I still on the bus now? Yeah, I am,” he tells Nick Hasted