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Seems you can’t have a Grammys these days without AROOJ AFTAB, the transporta
22 / UNDENIABLE BY DAKOTA JOHNSON When I first started to teach Tate McRae how to dance, I thought to myself, “Gosh—this girl really has potential. If only she could be as flexible as me.” In sincerit
DURING A TIME OF RAPID DISRUPTION, A RISING COMMUNITY OF WOMEN ARE RETHINKING THE FUTURE OF THE ART WORLD IN IMAGINATIVE AND EXCITING WAYS. FRIEZE DIRECTOR EVA LANGRET INTRODUCES THE ARTISTS AND BEHIND-THE-SCENES POWER PLAYERS TO KNOW
34 / REVELATORY PLAYWRIGHT BY LYNN NOTTAGE I live for those incomparable moments when you encounter the work of an artist who opens a door to reveal a fresh perspective on the world. This transformati
37 / ENDLESSLY CURIOUS BY ARIANA GRANDE I first met Jonathan Bailey at dance rehearsal for Wicked. I was nervous because I have always found him so brilliant—having bookmarked and memorized a few boot
Hildur Guðnadóttir is scrolling through her phone. Whereas most people use the device to collect photographs and notes alongside contact numbers, the Icelandic composer records snippets of music. Thes
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