In 1976, the revolutionary singer-songwriter LAURA NYRO returned from self-imposed exile. But her comeback confounded expectations, shifting away from the impassioned intimacies of her early albums to embrace more radical perspectives. Fifty years on, Nyro’s collaborators revisit her striking second act. “She was a hip American from the Bronx,” one friend and producer tells Rob Hughes. “But her soul was old.”

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RUTH climbed the narrow path to Windlow Hill. She had a canvas bag in one hand and her mother’s old cardigan tucked under the other. Below, the village looked almost as it had in her childhood – white

LITERALLY no jobs come in over the Christmas period,” Jenna said. Lola Everett looked into her sister’s face, which was like her own but six years younger. “But is that true?” she asked. Jenna had a h

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Inside the US singer-songwriter’s path from early DIY explorations to modern country-folk force