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Buzzing like a Fridge, two decades on. By Jim Irvin.
The accessibility, affordability and portability of synthesizers in the late 70s had a profound effect on popular music, particularly in the UK, where the likes of Ultravox!, Gary Numan and OMD reshap
Chances are, if you went clubbing in 2001 and weren’t strutting your stuff at the local indie fleapit, that you were sweating it over Peaches’ Fuck The Pain Away or Fischerspooner’s Emerge, for it was
hen Soft Cell were art students at Leeds Polytechnic, Marc Almond wrote a song in the vein of Ziggy Stardust about a fictional band breaking up. Four years later, when Soft Cell had been informed by t
Wilco dynamo’s fifth solo LP is a wildly eclectic triple that celebrates collective creativity and freedom.
Hildur Guðnadóttir is scrolling through her phone. Whereas most people use the device to collect photographs and notes alongside contact numbers, the Icelandic composer records snippets of music. Thes
For 35 years, the sonic scientists of TORTOISE have toiled to redefine the scope and possibilities of indie music. Their influence has been pervasive, but their methods and results remain unique. So don’t call them ‘post-rock’, OK? “Our genre is that there isn’t a genre,” they tell GRAYSON HAVER CURRIN .