The doors

D uring the first half of the 80s, OMD were a regular presence in the upper reaches of the UK charts. Enola Gay, Souvenir, Joan Of Arc and Maid Of Orleans (The Waltz Joan Of Arc) made the Top 10, whil

BOB DYLAN ’ S 18th BOOTLEG SERIES INSTALMENT – THROUGH THE OPEN WINDOW – IS AN AUDIO ANALOGUE TO A COMPLETE UNKNOWN: AN UNFURLING DOCUMENT OF A SEARING YOUNG TALENT IN THE ACT OF BECOMING. BUT BECOMING WHAT? ROCKER? FOLKIE? LOVER? POET? POLITICIAN? DIGGING INTO PREVIOUSLY UNRELEASED MUSIC FROM 1956 TO ’63, MOJO MARVELS AT DYLAN’S FIRST GREAT PHASE ALONG WITH ITS STILL-STUNNED EYEWITNESSES. “IT WAS EARTH-SHAKING,” THEY TELL DORIAN LYNSKEY .

The punk rock landmark that keeps on giving celebrates half a century with an expanded anniversary edition produced by bassist Tony Shanahan.

No one notices Bruce Springsteen. He makes no effort to hide—black T-shirt, blue jeans, Wayfarer sunglasses, honky-tonk cowboy boots—but for a few minutes, the most famous son of the Jersey Shore achi

A few years ago, Charlie Burchill and Jim Kerr were interviewed for a BBC documentary about music’s messiest break-ups. Which may seem like an odd booking, given the pair’s famously adamantine bond. B

The accessibility, affordability and portability of synthesizers in the late 70s had a profound effect on popular music, particularly in the UK, where the likes of Ultravox!, Gary Numan and OMD reshap