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Deconstructing pop’s fabric or bleeping on TV, two e
The accessibility, affordability and portability of synthesizers in the late 70s had a profound effect on popular music, particularly in the UK, where the likes of Ultravox!, Gary Numan and OMD reshap
No one notices Bruce Springsteen. He makes no effort to hide—black T-shirt, blue jeans, Wayfarer sunglasses, honky-tonk cowboy boots—but for a few minutes, the most famous son of the Jersey Shore achi
hen Soft Cell were art students at Leeds Polytechnic, Marc Almond wrote a song in the vein of Ziggy Stardust about a fictional band breaking up. Four years later, when Soft Cell had been informed by t
34 / REVELATORY PLAYWRIGHT BY LYNN NOTTAGE I live for those incomparable moments when you encounter the work of an artist who opens a door to reveal a fresh perspective on the world. This transformati
D uring the first half of the 80s, OMD were a regular presence in the upper reaches of the UK charts. Enola Gay, Souvenir, Joan Of Arc and Maid Of Orleans (The Waltz Joan Of Arc) made the Top 10, whil
Chances are, if you went clubbing in 2001 and weren’t strutting your stuff at the local indie fleapit, that you were sweating it over Peaches’ Fuck The Pain Away or Fischerspooner’s Emerge, for it was