We have no secrets

WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b

Nik Kershaw is never going to write an autobiography. “There are a lot of people I might have to say things about, and I’m not very good at confrontation,” admits the singer, songwriter and multi-inst

From a home in England’s West Midlands, to Knebworth and Live Aid with Led Zep and back, via fame, fortune, tragedy and musical resurrection – ROBERT PLANT ’ s come full circle. A new album with local heroes Saving Grace exemplifies his hard rock apostasy, the reason he’d rather worship Nora Brown than hang with Axl Rose. And if all else fails? “I’ll just be an Elvis impersonator!” he tells KEITH CAMERON .

YOU’LL never guess what I found. From our childhood,” Carly said. “You’ll have to give me a clue,” Juliet said. “Well, it’s something we used to wear all the time.” “Legwarmers? Shell suit? Day-Glo so

Forty years ago this September, Kate Bush released Hounds Of Love . Her fifth studio record reinstated her position as one of the most innovative and creative artists of all time and yielded the (future) chart-topper Running Up That Hill . But its creation wasn’t always smooth. Here’s the story behind one of Bush’s best-loved albums.

At the start of the 1990s, Nick Heyward was at his lowest ebb. His third solo album, I Love You Avenue, had failed to chart in 1988. Warner unsurprisingly let him go. So had Heyward’s manager and his