Martin rev and suicide

When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World

From Ken Kesey’s Acid Tests to extended residencies at Las Vegas’s hi-tech phenomenon the Sphere – and, soon, the storied stage of the Royal Albert Hall – it’s been a long, strange trip for BOBBY WEIR . But the guardian of the GRATEFUL DEAD ’ s legacy still has further to go. “Am I still on the bus now? Yeah, I am,” he tells Nick Hasted

Deep inside his London studio, BRIAN ENO is busy bringing “playful” experimental strategies to the studio graft – as his new collaborative albums with conceptual artist Beatie Wolfe attest. But, over pastries, an uncharacteristically digressive Eno finds time to discuss Scott Walker’s voice, communal living with Harmonia, mid-‘60s ‘happenings’ and his deep enthusiasm to create anew. “I’m sorry to be so shamelessly enthusiastic about my work,” he tells Tom Pinnock

Having formed in 1975, Talking Heads surfaced from the ashes of New York band The Artistics, with frontman David Byrne and drummer Chris Frantz eventually recruiting (after three auditions) fledgling

When sudden tragedy struck, NATALIE BERGMAN found solace in the New Mexico desert. Shedding indie rock for psychedelic gospel-soul, music played a big part in her healing – while her latest album finds fresh hope in new life. “People form bands because we’re lost,” she tells Kevin EG Perry. “We’re like: ‘Hello, we’re looking for our home here on Earth.’”

THE HAMMER INTERVIEW