Black And Blue UMC/POLYDOR

This month…

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Mike Patton and the Avett Brothers join forces to create a work of immense beauty.

From Laurel Canyon to Chiswick High Road, from Rancho De La Luna to a warehouse in Tottenham, many of your favourite artists have been hard at work crafting the soundtrack of 2026. Over the next 10 pages, we bring you the inside track on forthcoming albums by STEVIE NICKS , COURTNEY BARNETT , ALABAMA SHAKES , THE ROLLING STONES , BILL CALLAHAN , BUZZCOCKS , LANA DEL REY , SUNN O))) , ROBERT PLANT , IRON & WINE and many more. “It’s a really special time for music…”

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson