In 1976, the revolutionary singer-songwriter LAURA NYRO returned from self-imposed exile. But her comeback confounded expectations, shifting away from the impassioned intimacies of her early albums to embrace more radical perspectives. Fifty years on, Nyro’s collaborators revisit her striking second act. “She was a hip American from the Bronx,” one friend and producer tells Rob Hughes. “But her soul was old.”

Sun Triptych Maxim Rysanov, Dasol Kim, Roman Mints et al; BBC Concert Orchestra/ Dobrinka Tabakova ECM 4878558 64:61 mins This is the second ECM disc to feature the extremely accessible music of Bulga

Works by Saariaho and Shostakovich Dudok Quartet Amsterdam Rubicon RCD1218 59:41 mins Carrying a dedication to ‘those who have departed’, Kaija Saariaho’s Terra Memoria for string quartet, composed in

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Works by Offenbach Véronique Gens (soprano); Chœur et Orchestre National des Pays de La Loire/Hervé Niquet Alpha Classics ALPHA1168 55:49 mins This is not for the po-faced. If you enjoy charming and i