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Yes he can: Anderson through the years.
When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World
From Ken Kesey’s Acid Tests to extended residencies at Las Vegas’s hi-tech phenomenon the Sphere – and, soon, the storied stage of the Royal Albert Hall – it’s been a long, strange trip for BOBBY WEIR . But the guardian of the GRATEFUL DEAD ’ s legacy still has further to go. “Am I still on the bus now? Yeah, I am,” he tells Nick Hasted
Midge Ure, the Live Aid orchestrator and Ultravox synth-pop pioneer, looks back at his trial by fire with Thin Lizzy – and why he told Phil Lynott: “I’m not the guy you should be asking”
Becoming an adult It’s three decades since Pulp’s ...
With his cape and on-stage curry, he defined prog rock excess. Breakdowns, penury and near-death were the prices paid, but somehow the baroque synth lines and droll quips kept flowing… and still do. “I’m my own worst enemy,” laughs Rick Wakeman.
Ten years after he passed away, Chris Squire’s influence, both as a person and as a musician, remains as powerful as it has ever been. Those who knew him and played with him discuss the man, his talent and his legacy.
