Stone classic!

When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World

Midge Ure, the Live Aid orchestrator and Ultravox synth-pop pioneer, looks back at his trial by fire with Thin Lizzy – and why he told Phil Lynott: “I’m not the guy you should be asking”

A trove of unreleased music shines revelatory new light on NICK DRAKE ’ s acclaimed debut, Five Leaves Left , mapping the album’s genesis via outtakes, alternate versions and rediscovered recordings. Crucially, these also allow us to hear from the shy, elusive songwriter himself, as he explains the ideas behind his remarkable music from a distance of over 50 years. In the company of Drake’s closest collaborators, Nick Hasted pieces together the true story behind one of the most mythologised albums of all time. As one confidant confirms, “No-one’s ever been that close to these tapes…”

With a two-guitar line-up instead of the usual trio, and on their own label after the split from Bronze, the Orgasmatron album signalled a decibel-driven new start for Motörhead . We turn back the clock to 1986 with this classic interview.

FOR A HALF-CENTURY AND COUNTING, THE THIN LIZZY SOUND HAS BEEN FORGED AND RECAST BY SCOTT GORHAM AND THE GREATS WHO PARTNERED HIM ON DUELLING LES PAULS, INCLUDING THE LATE JOHN SYKES. GORHAM LOOKS BACK ON THE HIGHS, LOWS, JOY AND PAIN OF HIS CLASSIC PARTNERSHIPS

The electro super-producer on Bob, Bruce, Beastie Boys’ food fights and upsetting Fleetwood Mac