Art and graft

BBC; DAILY EXPRESS/GETTY IMAGES ● THEY’RE NOT KEEN ...

To celebrate the imminent arrival of Tracks II: The Lost Albums , Uncut takes a revelatory trip inside the archives of BRUCE SPRINGSTEEN . There, we piece together the stories behind an unexpected and expansive alternate discography not even the most devout Bruce fans could have imagined – from garage sessions and solo experiments to film soundtracks, pared-down dustbowl dramas, Vegas swing and more. “If you want to understand how Springsteen works creatively, he’s never shown you more of his cards than he does here,” one collaborator confides to Peter Watts

Amid the mayhem of his European tour, Joe takes time out to give us a guided tour around his 2025 live gear, delivers the lowdown on some of his more storied guitars, and tells us why his mighty multi-amp rig has to run at breaking point in order to make the earth move and those riffs resonate…

Celine Dion, a tree made of coat hangers, Crufts… Thirty years after the startling experiments of Tilt defined SCOTT WALKER ’ s latter-day career, his collaborators reveal all about the idiosyncratic working practices that took him from teen idol to avant-garde hero. “It was almost like a rejection of his past,” one eyewitness tells Rob Hughes. “Almost like anti-music.”

“Hands of Saint Dominic” by Albrecht Dürer, 1506; ...

At Baileys nightclub in Leicester in 1975, Frank Worthington dressed up as Elvis Presley (below) and belted out the hits of the King of Rock ’n’ Roll. The iconic forward worshipped Elvis, and did his