Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Throughout his career, our columnist has relied on the music of poetry to provide grace, wisdom and even a distraction from the sounds of war

It’s a joy watching our favourite singers or actors, but though we might admire them and enjoy the happiness they bring, do we ever give a thought as to how precarious the world of entertainment actua

Mike Patton and the Avett Brothers join forces to create a work of immense beauty.

H OW to categorise Leonard Cohen? There is ...