In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

Works by Bowie, Crumb, Brahms, Mahler, Wolf, Schubert, Clarke et al Olivia Vermeulen (mezzo), Jan Philip Schulze (piano/synthesizer), Bernd Oezsevim (percussion) Challenge Classics CC720038 67 mins Th

Cappella Amsterdam; Noord Nederlands Orkest/ Daniel Reuss Pentatone PTC5187489 72:42 mins ‘He always was and still is ahead of everybody.’ The words of Stravinsky’s musical assistant and colleague, Ro

Fondly remembered this month...

PARADE BEGAN WITH a bruised ego. Two years earlier, in 1984, the 25-million-selling Purple Rain had set a sky-high bar. Now, the critical consensus was that Prince had fumbled the follow-up with Aroun