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hen Soft Cell were art students at Leeds Polytechnic, Marc Almond wrote a song in the vein of Ziggy Stardust about a fictional band breaking up. Four years later, when Soft Cell had been informed by t

D uring the first half of the 80s, OMD were a regular presence in the upper reaches of the UK charts. Enola Gay, Souvenir, Joan Of Arc and Maid Of Orleans (The Waltz Joan Of Arc) made the Top 10, whil

Wilco dynamo’s fifth solo LP is a wildly eclectic triple that celebrates collective creativity and freedom.

The accessibility, affordability and portability of synthesizers in the late 70s had a profound effect on popular music, particularly in the UK, where the likes of Ultravox!, Gary Numan and OMD reshap

A few years ago, Charlie Burchill and Jim Kerr were interviewed for a BBC documentary about music’s messiest break-ups. Which may seem like an odd booking, given the pair’s famously adamantine bond. B

Post-American Utopia, DAVID BYRNE is continuing to put a positive spin on the global omni-shambles. That includes engaging constructively with his Talking Heads legacy, but don't confuse it with looking backwards. "Even if something is going well and you know how to do this thing," he tells DAVID FRICKE , "I gotta leave it behind."