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In the mid-’70s, JAMES BROWN was sitting pretty, with soundtrack su
From a home in England’s West Midlands, to Knebworth and Live Aid with Led Zep and back, via fame, fortune, tragedy and musical resurrection – ROBERT PLANT ’ s come full circle. A new album with local heroes Saving Grace exemplifies his hard rock apostasy, the reason he’d rather worship Nora Brown than hang with Axl Rose. And if all else fails? “I’ll just be an Elvis impersonator!” he tells KEITH CAMERON .
The Creedence Clearwater Revival frontman’s saga is one of American rock’s most complex: a story of working-class poetry, bitter betrayal, legal warfare, and long-delayed redemption. Now at peace with his past and driven by a renewed purpose, John Fogerty’s story is not over yet…
Over seemingly insurmountable obstacles, OZZY OSBOURNE dragged himself to the pinnacle of rock'n'roll. Haunted by rejection, raddled with substances, but also full of love, fun and a talent he couldn't describe or always understand, his victory was one for every underdog, everywhere. SYLVIE SIMMONS watched it all unfold...
Behind the irresistible rise of his elegant folk-pop-soul lie identity crises and recurrent rejections. A new album reveals a bolder, “bolshier” artist, but still with much to prove. “I have to keep polishing my knives,” says Michael Kiwanuka.
WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b
Fifty years ago, WILLIE NELSON up-ended the tyranny of the Nashville Sound with a record like nothing before or, perhaps, since. The road to Red Headed Stranger was long and uphill: strewn with broken marriages, record label wrangles and acts of God, but it transformed his fortunes, and his image. "It got to be a cool thing to like Willie," discovers SYLVIE SIMMONS.