Black And Blue UMC/POLYDOR

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

There are many Stings, but his determination to keep his music driving forwards means that audiences haven’t seen much of the pugilistic garage rocker who forced himself into the big league. Until now

Finding poignancy in the dread and dislocation of modern living, London four-piece DRY CLEANING have garnered admirers including Nick Cave, Grace Jones and Jeff Tweedy. As new album Secret Love refines their nervy post-punk sprechgesang, the band set their sights on new targets. “Art and humour are our main weapon,” they tell Stephen Troussé

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Fifty years on from their explosive debut single “New Rose”, THE DAMNED have evolved from punk pioneers to national treasures. But as a new album pays tribute to Brian James, their fallen co-founder, bandmates Dave Vanian, Captain Sensible and Rat Scabies – along with sundry eyewitnesses and ne’erdo-wells – recall the volatile beginnings, creative vision and incorrigible spirit of The Damned’s groundbreaking first act. “It was CID, villains and the Captain in a nurse’s outfit,” hears Peter Watts