When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World

There comes a point in life for most of us when we say, enough. We say goodbye to responsibilities that had begun to feel more like obligations, and we either seek new challenges, or find joy in what

Away from his day job as The National’s lugubrious frontman, MATT BERNINGER has reached back into his Ohio upbringing for a ruminative new solo record. But behind the childhood tales of gang fights, drowned train cars and Christmas tree farms lurks midlife melancholy. “I’m writing about trying to understand my own fear,” he tells Laura Barton

When sudden tragedy struck, NATALIE BERGMAN found solace in the New Mexico desert. Shedding indie rock for psychedelic gospel-soul, music played a big part in her healing – while her latest album finds fresh hope in new life. “People form bands because we’re lost,” she tells Kevin EG Perry. “We’re like: ‘Hello, we’re looking for our home here on Earth.’”

Midge Ure, the Live Aid orchestrator and Ultravox synth-pop pioneer, looks back at his trial by fire with Thin Lizzy – and why he told Phil Lynott: “I’m not the guy you should be asking”

With a two-guitar line-up instead of the usual trio, and on their own label after the split from Bronze, the Orgasmatron album signalled a decibel-driven new start for Motörhead . We turn back the clock to 1986 with this classic interview.