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From his unnerving shorts to his three previous feature films (Hereditary, Midsommar, Beau is Afraid), Ari Aster is no stranger to controversy, but Eddington, his neo-western set during the height of

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IN A 1992 Guitar World feature that celebrated the release of Spinal Tap’s reunion album, Break Like the Wind, it was reported that lead guitarist Nigel Tufnel had been, at some point during the band’