But not for me

In 1974, Mike Oldfield defied the critics and hit the top of the UK charts with Hergest Ridge, the ambitious follow-up to his unexpectedly successful debut Tubular Bells . To coincide with the release of the 50th-anniversary edition, the musician, his siblings and collaborators recount the story of an album created by an overwhelmed 21-year-old taking refuge near the Welsh borders.

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.

WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b

PETER GILES

From a home in England’s West Midlands, to Knebworth and Live Aid with Led Zep and back, via fame, fortune, tragedy and musical resurrection – ROBERT PLANT ’ s come full circle. A new album with local heroes Saving Grace exemplifies his hard rock apostasy, the reason he’d rather worship Nora Brown than hang with Axl Rose. And if all else fails? “I’ll just be an Elvis impersonator!” he tells KEITH CAMERON .

1975 was JONI MITCHELL ’ s roller-coaster year: 12 months of romance and heartbreak, adventure and retreat, cocaine and Rolling Thunder. And in the middle of it, The Hissing Of Summer Lawns , her doubling-down on jazz rhythms, exotic melodies and songwriting-as-literature, with (for now, at least) a simpatico crew in tow. “It was just a good vibe,” they tell GRAYSON HAVER CURRIN . “And Joni was at the centre of it, at the peak of her powers.”