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The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.

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The art-rockers’ original album plans were inadvertently scuppered by Hollywood.

D avid Bowie’s first album of the 1980s was a milestone record for many reasons. It was his last to be co-produced with collaborator Tony Visconti for more than 20 years, his swansong for RCA and for