He’s lived it live and dangerous as part of the classic line up of Thin Lizzy, lived it loud in Motörhead, ridden his own band Wild Horses, has an impressive list of credits as both session musician and producer… There’s much more to Robbo than you probably think.

The month’s best guitar music – a hand-picked selection of the finest fretwork on wax

The great and good of progressive music give us a glimpse into their prog worlds.

In 1966, BOB DYLAN hit his wildest white-hot creative peak yet, recording one of his most iconic albums, Blonde On Blonde , and blazing new ground with his controversial electric tour with The Hawks. As the Bob Dylan Center in Tulsa prepares a major new exhibition exploring this tumultuous year, Uncut is offered an exclusive preview of what they have in store. Meanwhile, we go behind the scenes of Blonde On Blonde and reconstruct Tour ’66, as eyewitnesses share new tales of late nights, cold mornings and chance encounters. “It’s Dylan as spectacle, in a very combative way,” learns Damien Love. “This is me – deal with it .”

Send your letters to us at: Prog , Future Publishing, 121-141 Westbourne Terrace, London, W2 6QA, or email prog@futurenet.com . Letters may be edited for length. We regret that we cannot reply to phone calls and we cannot always respond to individual messages. Find us on facebook.com under Prog .

Every month we get inside the mind of one of the biggest names in music. This issue it’s Clive Nolan . Best known for his work in Pendragon and Arena, the classically trained musician was bitten by the prog bug when he discovered Genesis as a teen and went on to join numerous progressive bands. He’s also turned his attention towards musicals and his current album, The Mortal Light , is the third instalment in his epic Alchemy series. He discusses his roots, inspiration and the mead hall that will host the upcoming live event, Close Encounters Of The Progressive Kind.