Create stunning mono images

Let’s play with Photoshop’s hue, saturation and colour tools, says James Abbott, for four effects that work with most images

In this fourth part of our guide to PhotoLab, Wendy Evans looks at the colour options

Forget super-sharp digital, step back in time with ...

Photos often benefit from a little bit of trimming. Even if you’ve zoomed in or got physically closer to your subject when taking the shot, removing surplus detail helps focus the eye on what really m

Light is photography’s raw ingredient, so James Abbott explains four ways to adjust the luminance using Photoshop

Forget super–sharp digital; step back in time with classic styles