Professional landscape photographer John Miskelly explains his obsession with long exposures and wild weather
While I’m very fortunate to work as a professional landscape photographer, it’s also really important to challenge yourself and find those personal projects that get your creative juices flowing. Being able to combine my photography with my love of being in wild and remote places, whether that be on a beach or in the mountains, is my perfect combination. With that in mind, I’ve been working on a series of images over the past couple of years that represent these wild places, where the weather often becomes an integral part of the image and contributes to the emotion that I felt whilst being there.
Most of the images in this series are long exposures, ranging from 30 seconds to eight minutes. I use long exposure to remove unnecessary detail from the water and the sky. That allows me to create strong, simple compositions free of distractions. These images were all taken in challenging weather conditions, whether that was a blizzard in Senja, storms in Lofoten or gale-force winds in Iceland, while the image from Harris in the Outer Hebrides was taken on a much more ‘normal’
Scottish day, which was simply cold and wet! As you can see, I’m drawn to those colder and more rugged locations.
The biggest challenge in a project like this is keeping the gear as dry as possible, particularly the front of the filters that I almost always use, along with ensuring my own safety, especially when balancing on the rocks with big waves coming in with the storm, as they did in Uttakleiv in Lofoten.
Rock ’n roll
When I was in Iceland recently, the main road that runs around the country, called Route One, had been closed for a 200km section for nearly two days due to galeforce winds. After being stuck for 36 hours at Vestrahorn, I managed to get to Diamond Beach, and I was the only person there.
I had to sleep in the back of the car as it rocked and rolled, and I cooked my dinner in the nearby gents’ toilets. But the dawn light was amazing and it was a true privilege to experience the rawness of nature.
In terms of kit, I like to keep it relatively simple and light, preferring to use a couple of lenses that I know really well and know how they’ll perform. I use a Nikon Z 7, often p
