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Project six: The big project
James Paterson discovers this
Wendy Evans invokes solar power to help create a vintage print on chemical-infused paper
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
Follow along as Eliza Ivanova explains her process for colouring artwork digitally without losing that innate sketchbook charm
When everything comes together, there’s no better feeling, as Michael Topham experienced in Croatia
Following her training in Decorative Arts, for many years Glasgow-based, French-born artist Elisabeth Viguie Culshaw worked as a conservation stenciller, reviving and recreating historic schemes in re
We love moaning. The raw file won’t open, the firmware update wiped your settings. But spare a thought for the early adopters – when digital photography meant ghostly battery life, media cards that could barely hold a lunch break, colours that made everything look a bit ill. Peter Dench hears from top shooters about those early frustrations and breakthroughs, and adds his own…