Colour fringing

1 min read

There’s generally not much fringing to see

As with distorti

This article is from...

N-Photo Magazine

However good your camera and lens, raw files usually benefit from some processing and tweaking. Rod Lawton shares some essential enhancements

What is your editing workflow? Here’s how the process of cleaning up your raw files can fit in

Overcome common problems and create better-looking shots

Is it time to trade in your 70-200mm f/2.8 for Sony’s latest 50-150mm f/2? Dan Mold finds out

The Sony FE 16mm F1.8 G is billed as a petite powerhouse ultra-wide lens that delivers sharp results. Angela Nicholson takes a close look

Take manual control over a host of photographic settings

However good your camera and lens, raw files usually benefit from some processing and tweaking. Rod Lawton shares some essential enhancements

What is your editing workflow? Here’s how the process of cleaning up your raw files can fit in

Overcome common problems and create better-looking shots

Is it time to trade in your 70-200mm f/2.8 for Sony’s latest 50-150mm f/2? Dan Mold finds out

The Sony FE 16mm F1.8 G is billed as a petite powerhouse ultra-wide lens that delivers sharp results. Angela Nicholson takes a close look

Take manual control over a host of photographic settings