The winner takes it all

Lees, Holroyd, Wolstenholme and Pritchard; you might think it sounds like a legal firm in, say, Oldham, Lancashire. And you’d be right about the Oldham part. John Lees (guitar), Les Holroyd (bass), St

MY my, we could never let the sheer joy and exuberance of ABBA’s smash hit musical “Mamma Mia” go. In the 26 years since the show launched in London’s West End, it has become a global phenomenon. Some

Jacob Collier is on stage with the Britten Sinfonia, in a packed-out concert hall. We’ve already been treated to a freewheeling, virtuosic and wildly joyful programme, ranging from Bob Dylan to scat-s

In the mid-1990s, THE BEATLES returned with Anthology , a new kind of documentary about the group, in which they told their astonishing story in their own words. A curious name, but then this was a diverse portfolio of releases gathered under one roof. A TV series. A groundbreaking series of archival albums. A book. And, most surprisingly, a new Beatles record! As the series and music is accorded a 30th-anniversary release, Uncut steps inside Anthology 2025 to hear about how it all came together, what passive-aggressive ukulele sounds like, and what’s still in the archive. “It makes ‘Revolution 9’ sound like ‘Penny Lane’,” Giles Martin tells John Robinson

Brett Anderson and Mat Osman guide us through 30 years plus of catchy, dramatic alternative rock

Bob Cooper of Macclesfield, Cheshire remembers: From an early age, I have always loved reading and writing. My best subject at school was English to the detriment of maths, and I managed to become top