Get to grips with colour theory

Let’s play with Photoshop’s hue, saturation and colour tools, says James Abbott, for four effects that work with most images

Red and green should never be seen – or so they say. Whoever came up with that sage (pardon the pun) piece of sartorial advice obviously hadn’t seen mint with burgundy or the palest eau de nil with a

Placing key elements in the centre is not always the best option and can create a lack of visual interest. A common way to organize pictorial elements is to geometrically divide the picture plane into

Master the art of modern photography

Colour – on walls, joinery, soft furnishings or via accessories – has a truly transformative effect: it impacts the mood of a home’s inhabitants, as well as having the power to change an architectural

Photographing a single subject repeatedly can be just as rewarding as chasing ‘ticks’, writes Rob Read