Embrace abstract techniques and transform everyday street scenes into evocative art with simple camera skills with James Paterson
Urban environments can be a frenetic mass of contrasts, vibrant or mundane, lively or eerie, beautiful or drab. For a photographer, it’s easy enough to capture how places like this look, but it’s more of a challenge to convey how they feel. To get a sense of a place without the distractions of detail, we can turn to abstract techniques. Intentional blur, multiple exposures, unusual camera angles and digital mash-ups can all help us emphasise the emotion of the place, and create wall-worthy art that feels more in touch with the work of impressionist painters than it does with what you might call ‘normal photography’.
In this project we’ll look at a range of techniques you can try out on the streets. Camera skills are often about eliminating shake, keeping scenes in focus and preventing wonky horizons, but here we’ll throw all that out the window. Instead, we’ll celebrate the blur and the softness. When you think about it, streets and buildings are these rather simple geometric shapes and lines, dotted with people and lights. As such, they’re ripe for an abstract treatment, as we can reduce the elements down to blurry strokes of colour, impressions of people and flowing shapes, while still retaining the spirit of the scene.
You don’t need any special equipment or lenses for this – in fact, even the cheapest lens will produce results just as good as premium optics. What’s more, you can try this in all conditions – sunny, overcast, rainy, even at night. So embrace the abstract, grab your camera and hit the streets…
PROJECT 1
ON LOCATION SHAKE IT UP ON THE STREETS
01 CAMERA MOTION
Camera movement can transform scenes into streaks of blur. There’s real skill in doing so, but still retaining an impression of the place. Simply move the camera up, down, left, right or swivel it during the exposure. For a smooth motion, it helps to press the camera against your forehead. Alternatively, use a pan/tilt tripod if safe.
02 SLOW SHUTTER SPEED
We need to slow our shutter speed down so that the camera movements register in the exposure as colourful motion blur. Try setting your camera to Shutter priority (Tv mode) at 1/15 sec and ISO100, then see what kind of blur you get. For stronger blur, either go for a longer shutter speed or make quicker camera motions.
03 BOLD COLOURS
One of the main reasons why this scene works for the intentional camera movement technique is down to the colourful umbrellas hanging over the street. Illuminated from behind by sunlight, these offer beautifully bo
