James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2

Using Lightroom, Sean McCormack shows how it’s done

Wendy Evans explores the power of masked layer effects in our ON1 Photo RAW MAX guide

When you process your one-shot-colour (OSC) astro photos, do you fnd the colour often looks more muted than you want? Worry not. Whether your subject is the Moon, planets or deep-sky objects, there’s

Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans