Europe
Asia
Oceania
Americas
Africa
PLASTIC FANTASTIC
PROJECT 1
James Paterson shows
Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
Wendy Evans invokes solar power to help create a vintage print on chemical-infused paper
When everything comes together, there’s no better feeling, as Michael Topham experienced in Croatia
Like the vibe of a famous painting? Use Camera Raw’s Color Transfer filter to reference works of art, as James Paterson explains
Overcome common problems and create better-looking shots