James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

Using Lightroom, Sean McCormack shows how it’s done

Wendy Evans goes through the techniques required to shoot train stations after dark, when metering the variable light is a challenge

Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2

Benedict Brain searches his archives for the inspiration to escape winter’s creative doldrum

Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans