To create this image, I scattered neon yellow ...

James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans

Benedict Brain searches his archives for the inspiration to escape winter’s creative doldrum

Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2

When we think about shadows in a painting, we really should be thinking about accentuating the light. After all, it is those interfaces of dark and light that create the illusion of sunlight and shado