Peter Dench explores what does the modern picture editor actually do and is human judgement still relevant in visual journalism?

Image manipulation is nothing new, writes Rob Read

Four members of the Photobook Club Collective reflect on photography editing challenges and the role of collaboration and community support in turning large bodies of work into photobooks, writes Gabrielle Motola

Peter Dench considers...

Dan Mold helps make your shots look their best with fine-art borders in Photoshop

Remove blemishes and stray hairs with the help of frequency separation – and Wendy Evans