To create this image, I scattered neon yellow ...

James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans

Wendy Evans goes through the techniques required to shoot train stations after dark, when metering the variable light is a challenge

Master creative use of long exposure to capture the dynamics of nature, says Karolina Konsur

Digital Camera readers show how they’ve been getting creative, submitting images across a range of genres