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LESSON 56: PRACTISING INTERVALS
On these pages, Pianist
In the 19th century there was a widely held belief that technique could be gained by devoting many hours a day to the practice of specially composed exercises and studies, and that the skills gained c
Piano Trios; Piano Quintet, Op. 57* *Julia Fischer (violin),*Nils Mönkemeyer (viola); Oliver Schnyder Trio Prospero PROSP0035 76:52 mins Shostakovich’s Piano Quintet explores a bewildering variety of
LAST MONTH, WE delved into the all-important topic of developing solid pick-hand timing when strumming. To me, that’s where the groove is: the pick hand is the timekeeper, and I’ve spent a lot of time
Each person is unique. And we all function differently. In terms of how we go about learning a craft, some of us thrive on the visual/reading aspect while others prefer to be ‘hands on’ from the outse
Ravel: Ma mère l’Oye; Stravinsky: Le Sacre du printemps Pavel Kolesnikov and Samson Tsoy (piano) Harmonia Mundi HMM902752 49:20 mins Those of us lucky, as I was at both their Ragged Music Festival and
Arvo Pärt’s music has a sound which appears hauntingly simple, though it stirs complex emotions. Much of it is written for voices singing sacred texts, but there are also instrumental works composed i