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With the Mazurka Op 68 No 3 appearing inside this issue’s Sco
When we think of all things Italian, in general terms, what do we think of? And how does that translate into music? As a musician, one might think of the heightened emotions of the Romantic era – spec
Ask if national schools of piano really do exist, and one might be tempted to reply that there are only as many schools as there are pianists. Yet, the idea of a distinctive musical heritage, preserve
When you’re speaking to someone devastatingly fluent in four tongues (Italian, German, French and English) the subject of language naturally leads to some curiosity. Especially from a somewhat green-e
Norman Lebrecht on Music HE WORKED SO ...
In the 19th century there was a widely held belief that technique could be gained by devoting many hours a day to the practice of specially composed exercises and studies, and that the skills gained c
New releases from Shostakovich’s ‘drawer’