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We’ve all heard horror stories about bad teachers – but how can you
Is there a special sorcery in Seoul? Cunning creativity in Canada? Preternatural pizzazz in Paris? Oh, why do so many great pianists come from this or that country? We even have some in Britain; is th
In Humoresque (1946), John Garfield plays a virtuoso violinist. By then, Garfield was an Oscar-nominated actor, but he was no violinist. That said, his ‘performances’ are pretty convincing. Why? Becau
Patterns, says Clare Hammond. Learning a new piece, especially if you’re committing it to memory, and the clock is against you, is all about finding patterns. ‘If you can find patterns in a piece of m
When it comes to how pianists acquire their technique, the 19th century tradition of practising specially written exercises and studies (etudes) perseveres to this day. Yet many top players claim they
Among the many remarkable aspects of Clara Schumann’s life was the fact that she gave birth to eight children – seven of whom lived to adulthood. Given she lived in the 19th century, it is astonishing
‘Would you like to go and play the new public piano at St Pancras and write about it?’ asked Erica, the editor of Pianist. ‘Did Liberace like diamonds?’ I replied. ‘I love the idea of public pianos. S