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READ MATTHEW MILLS’ LES
However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju
On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just
Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn
Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy
Since winning the Royal Philharmonic Society’s Young Artist Award in 2016, Clare Hammond has established herself as one of Britain’s most adventurous pianists. A graduate of Cambridge University and t
Although Ronald Binge isn’t a name familiar to many, at least one of his compositions is broadcast on a daily basis. Born in 1910, in Derby, Ronald Binge was the eldest of three children. His father,