Track 7 frank bridge (1879-1941) berceuse intermediate

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn

IN the rear of her stationary motor-taxi, a young milliner reached up a careful gloved hand to pat her black-felt cloche, snug on her smart, fair curls. Constance Smart had been sitting patiently for

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy

Since winning the Royal Philharmonic Society’s Young Artist Award in 2016, Clare Hammond has established herself as one of Britain’s most adventurous pianists. A graduate of Cambridge University and t