Robert fuchs (1847-1927) romance from children’s album op 47 no 13 read melanie spanswick’s lesson

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

MICHELE RUSPOLI felt a little less agitated, now that he was inside the library, but all around was evidence of the flood. Books had been laid out haphazardly on pieces of matting, all leather-bound,

MARIE peered out of the front room window, wondering if people would be on time. And not only that – what if nobody showed? She let the net curtain drop, listening to the kettle whistling in the kitch

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy

December round-up Although he’s been writing and performing for many years, Donald WG Lindsay might come across as a bold new Scottish talent on Two Boats Under the Moon, his excellent two-disc debut