Giovanni sgambati (1841-1914) swinging, from mélodies poétiques op 36 no 4

The playful, melancholic genius of Erik Satie

shouting forever into the receiver Anne Denholm (harp), Louise McMonagle (cello), Jonathan Morton (violin) et al NMC NMC D285 61:56 mins Tackling social themes and reckoning with history is part of wh

Symphony No. 6 ‘Pathétique’; Souvenir de Florence Royal Liverpool Philharmonic Orchestra/Domingo Hindoyan Onyx ONYX4259 81:54 mins In 1890, Tchaikovsky returned home from a spell in Italy with the ske

Kafka Fragments Susan Narucki (soprano), Curtis Macomber (violin) Avie AV2760 54:30 mins In the July issue we praised pianist Pierre-Laurent Aimard’s inspired performance of György Kurtág’s Játékok mi

Poetry that blends music, mortality and fame

A BIG PART of blues is playing over a “shuffle” groove — a triplet-driven swing-eighths feel with a backbeat (accents on beats 2 and 4) — at various tempos. There are many great shuffle-based tunes. A