Giovanni sgambati (1841-1914) swinging, from mélodies poétiques op 36 no 4

When we think of all things Italian, in general terms, what do we think of? And how does that translate into music? As a musician, one might think of the heightened emotions of the Romantic era – spec

Ask if national schools of piano really do exist, and one might be tempted to reply that there are only as many schools as there are pianists. Yet, the idea of a distinctive musical heritage, preserve

When you’re speaking to someone devastatingly fluent in four tongues (Italian, German, French and English) the subject of language naturally leads to some curiosity. Especially from a somewhat green-e

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