Improvising for everyone

Classical music has a problem with perfection. You’d have thought the most important job of any professional musician was learning, playing and repeating the notes composers wrote down so often that t

‘I was born twice,’ said the great Russian bass Feodor Chaliapin. ‘In Kazan I opened my eyes to life, and in Tbilisi to music.’ What is it about music and the Georgians? Some members of that Caucasian

Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn

AN ESSENTIAL TECHNIQUE all electric guitarists should strive to master is the art of string bending, which can be used to create personally expressive, vocal-like sounds in unique ways. String bending

At a glance, the young pianist appears frozen in time, a still portrait quite at odds with the dancing carnival of sound that fills the KKL Luzern. The months pass by, and February’s ebullience bows t

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy