Pick and mix: which studies to practise?

Classical music has a problem with perfection. You’d have thought the most important job of any professional musician was learning, playing and repeating the notes composers wrote down so often that t

‘I was born twice,’ said the great Russian bass Feodor Chaliapin. ‘In Kazan I opened my eyes to life, and in Tbilisi to music.’ What is it about music and the Georgians? Some members of that Caucasian

Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn

At a glance, the young pianist appears frozen in time, a still portrait quite at odds with the dancing carnival of sound that fills the KKL Luzern. The months pass by, and February’s ebullience bows t

Since winning the Royal Philharmonic Society’s Young Artist Award in 2016, Clare Hammond has established herself as one of Britain’s most adventurous pianists. A graduate of Cambridge University and t

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just